Somewhereintheremoteregion,thewarends.Inthemidstofruinedcitiesandhousesinthestreets,inruralhamlets,everywherewherepeoplestilllive,arechildrenwhohavelosttheirhomesandparents.Abandoned,hungry,andinrags,defenselessandhumiliated,theywanderthroughtheworld.Hungerdrivesthem.Littlestreamsoforphansmergeintoariverwhichrushesforwardandsubmergeseverythinginitspath.Thechildrendonotknowanyfeeling;theyknowonlytheworldoftheirenemies.Theyfight,steal,struggleforamouthfuloffood,andviolenceismerelyameanstogetit.AgangledbyCahounfindsarefugeinanabandonedcastleandencountersanoldcomposerwhohasvoluntarilyretiredintosolitudefromaworldofhatred,treason,andcrime.Howcantheyfindacommonground,howcantheybecomemutualfriends?Thecastlebecomestheirhidingplacebutpossiblyitwillalsobetheirfirsthomewhichtheymayorganizeandmustdefend.Butevenforthis,thepricewillbeveryhigh. Tothissimplestory,thejournalist,writer,poet,scriptwriter,moviedirector,andfilmtheoreticianBélaBalázsappliedmanyyearsofexperience.HeandthedirectorGézaRadványicreatedaworkwhichopenedanewpostwarchapterinHungarianfilm.Surprisingly,thisfilmhasnotlostanyofitsimpactovertheyears,especiallyonaprofoundphilosophicallevel.Thatistosay,itisnotmerelyamovieaboutwar;itisnotimportantinwhatlocationandinwhatperiodoftimeittakesplace.Itisastoryoutsideoftimeaboutthejoylessfateofchildrenwhopaydearlyforthecruelwargamesofadults. Atthetimeitwaspremiered,themoviewasenthusiasticallyreceivedbythecritics.Themainrolesweretakenbystreetwiseboysofachildren'sgroupwhocreatedtheirrolesimprovisationallyinclosecontactwithafewprofessionalactors,andinthechildren'sactingtheirownfreshexperienceofwar'sturmoilappearstobereflected.Atthesametime,theirperformancefitsadmirablyintothemosaicofaverycomplexmovielanguage.Balázs'sinfluencerevealeditself,aboveall,intheintroductorysequences:anairraidonanamusementpark,seeninamontageofdramaticsituationsevokingthelastspasmsofwar,where,undoubtedly,wediscerntheinfluenceofclassicalSovietcinematography.Shooting,theboy'sescape,thelocomotive'swheels,theshadowsofsoldierswithsubmachineguns,thesoundofawhistle—theimagesarelinkedtogetherinabruptsequencesinwhichvaryingshotsandexpressivesharpsoundsareemphasized.Aperfectlyplannedscreenplayavoidedallelementsofsentimentality,time-wornstereotypesofwrongedchildren,romanticismandcheapsimplification.Theauthorssucceededinbridgingtheperilousdramaticabyssofthemetamorphosisofachildren'scommunity.Theirtellingofthestory(thesceneofpillaging,theassaultonthecastle,etc)independentlyintroducedsomeneorealistelementswhich,atthattime,werebeingpropagatedinItalybyDeSica,Rossellini,andotherfilmartists.Therebukesofcontemporarycritics,whocalledattentionto"formalismforitsownsake"havebeenforgotten.ThemasterlyartofcameramanBarnabásHegyigivesvitalitytothepoeticimages.Hisangleshotsofthechildren,hiscompositionofscenesinthecastleinterior,arealivingdocumentofthetimes,andunderlinetheatmosphereandthecharactersoftheprotagonists.ThesuccessofthepicturewasalsoenhancedbythemusicalartofcomposerDénesBudaywho,intensesituations,insertedthethemeoftheMarseilaiseintothemovie'sstructure,asamotiveofcommunityunification,asanexpressionoffriendshipandthepossibilityofunderstanding. ValaholEuropabanisthefirstsignificantpostwarHungarianfilm.Itoriginatedinarelaxedatmosphere,repletewithjoyandeuphoria,anditincludestheseelementsinordertodemonstratethestrengthofhumanism,tolerance,andfriendship.Itrepresentsageneralcondemnationofwaranywhereintheworld,inanyform.
欧洲足球的过去、现在与未来因为一次独立营运联赛的计划而发生冲突,逼使球坛最具权势的领袖出面捍卫或颠覆传统。
《欧洲攻略》是由马楚成执导,梁朝伟、吴亦凡、唐嫣、杜鹃、林子祥等联袂主演的动作电影。影片主要讲述了特工林在风(梁朝伟饰)与王小姐(唐嫣饰)多年来亦敌亦友,相互欣赏又互相为敌。上帝右手在CIA被不明身份的苏菲(杜鹃饰)偷走后,两人同时受CIA委托展开追寻。原本以为只是⼀场谋略较量,但在他们救下顶级黑客洛奇(吴亦凡饰)后,却发现这背后还隐藏着一个更大的秘密。
美国男孩斯考迪在德国网友米克的帮助下,德语成绩大有进步,学习飞越然后高中毕业的他却迎来了被女朋友甩的倒霉事,沦为朋友库柏的笑柄。斯考迪接到米克寄来的电邮,信中希望能和他见见面,看看这个通了几年信的朋友。然而,斯考迪却有点犹豫,米克这个名字,貌似是一个男孩子。于是,他拒绝了这个请求。还是别人提醒了斯考迪,在德国,米克是个女生名字。斯考迪如梦初醒,决定要亲自前往欧洲去寻找米克。于是,斯考迪和库柏上路了,还在中途遇到了几个同行的年轻人。一帮不谙世事的年轻人可不是一路顺风,哭笑不得的事情屡屡发生,不过功夫不负有心人,当斯考迪找到米克的时候,他被面前这个金发火辣的美女摄走了魂!疯狂的度假正式开始。
懒惰的应届毕业生查理(鲍比·肯尼迪饰)富有的父母给了他一张5000美元的支票,并下了最后通牒,要求他开始独立和负责任的生活。相反,他买了一张飞往意大利的机票,抵达后遭到抢劫,最后在博洛尼亚由他的新朋友乐乐(LeleGabellone饰)照顾,乐乐自称博洛尼亚国王,与衣衫褴褛的朋克贝斯蒂亚·巴洛(GianluccaBazzoli)住在一起。),以及贪得无厌的妓女常客伊尔·比萨(朱塞佩·桑菲利斯饰)。在博洛尼亚,乐乐教查理国王熟知的微妙策略:勾搭意大利女人、举办通宵派对、煽动普遍的无政府状态。查理像专业人士一样喜欢它,并在此过程中遇到了危险美丽的瓦伦蒂娜(亚历桑德拉·马斯特罗纳迪饰)
「視后」蔡思貝以大露背裝索爆出席《2023TVB年中節目巡禮》,近期她主持旅遊節目《貝遊英倫》收視急升,立即再添食到英國、意大利拍攝節目《貝遊歐洲》,她說:「之前拍2集係特備節目,估唔到反應咁好,啲朋友都話睇得好舒服,今次會繼續用蔡思貝嘅身份同性格,帶大家去遊覽兩國家9個城市。」
在本世纪二、三十年代和八十年代曾掀起二次出国潮。踏进欧洲的中国人,在面临政治、经济和文化与国内完全不同的异域,演绎着千差万别的生命故事。本剧叙述了一对恋人,优秀的工艺美术师陶泽和小学教师苏浣桑在赴欧洲过程中,他们的生活和情感经历的风风雨雨的考验。
艾连妮(英格丽·褒曼IngridBergman饰)是一位生活在罗马的美国贵妇,每一天都过着不问世事养尊处优的生活。对于外面的世界究竟发生了什么,艾连妮并不清楚,也不感兴趣,她的全部精力都投注到了自己的小家之中。让艾连妮没有想到的是,自己的儿子麦克(SandroFranchina饰)竟然选择了自杀。麦克的死犹如一盆冷水瞬间浇头了艾连妮的全身,让她清醒了过来。
丧子之痛缓和之后,艾连妮决定投身于慈善事业中,她亲身走近贫穷的人们身边,给他们带来实质性的帮助。这些举动让艾连妮获得了灵魂的慰藉,她甚至决定从家里搬出来,和一些穷困潦倒的妓女们同吃同住。艾连妮的所作所为很快就激怒了丈夫。
如今,德国生活着约50万只浣熊。这一切都始于上个世纪上半叶的毛皮贸易。就因为圈养的毛皮质量比野生的低。浣熊来到理想的生活环境后,大量繁衍,甚至向邻国蔓延。猎人们突然开始担心浣熊会影响到其他生物。很长一段时间内,关于浣熊会如何影响本地物种,欧洲没有相关的广泛研究。直到2006年,生物学家们用令人欣慰的结论来阐明这一问题。本片展示了浣熊在森林和城市中的生活,并披露了科学家们喜人的研究成果。
ExploretheresurgenceoficonicwildlifeandnaturalprocessesacrossEurope'smostbreathtakinglandscapes,fromtheArcticCircletorichriverwetlands,fromdeepforeststoruggedmountainpeaks.
刘海镇、陈善圭、朴志焕、尹均相愉快重逢挪威,首次挑战冬季露营,露营难度进一步升级。
tvN综艺节目《帐篷外的欧洲》是用露营地代替酒店,用租车代替火车,用超市代替餐厅旅行的综艺节目。 第一季由演员刘海镇、陈善圭、朴志焕、尹均相带来瑞士和意大利露营记。 第二季由演员赵震雄、崔元英、朴明勋、权律一起出演。从西班牙信步出发,通过露营得到治愈。特别是赵震雄、崔元英、权律在同一家娱乐公司,因此将展现至亲化学反应。姜弓PD说:“平时四个人很亲近,所以很忙地吵吵闹闹。会给大家带来与前一季不同的乐趣。”
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